21世纪以来，德国当代艺术吸引了全世界的注意，散发出巨大的活力，艺术家在创作中不断融入对历史的反思，并对现实问题持续关注。二战后，德国在社会政治、经济、文化的相互作用下不断改良，并对战争进行了深刻的反省，文化艺术的逐步开放使德国在全球化背景下获得了诸多艺术成就。德国当代艺术中的朴素、内敛、力量以及自我批判意识与欧洲超前卫艺术、美国抽象表现主义等流派遥相呼应，丰富了新的观看方式。“梦境叙事”的参展艺术家马提亚斯·布兰迪和兹奥正是在这一系列变革之后出现的艺术家，尽管他们的国籍不同，文化背景迥异，但都是在德国当代艺术的影响之下成长起来。他们的作品具有超现实主义的图像特征，既不是古典主义的田园牧歌，也不是怀旧的乡愁，而是一种反形式和唯美的存在主义立场。

Since the 21st century, contemporary art in Germany has attracted the attention of the whole world and exuded great vitality. The artists have continuously integrated into the reflection of history in their creation, and have been paying constant attention to the practical problems. After World War II, Germany continuously improved under the interaction of social politics, economy and culture, and deeply reflected on the war. The gradual opening of culture and art made Germany obtain a lot of artistic achievements under the background of globalization. German contemporary art is characterized by simplicity, introversion, strength and self-criticism, which echo with the schools of European ultra-avantgarde art and American abstract expressionism, and enrich the new viewing methods. The Exhibitors of Dream narration The artistes Mathias Brady and Zo emerged after this series of changes. Despite their different nationalities and cultural backgrounds, they all grew up under the influence of contemporary German art. Their works are characterized by surrealism, neither classical pastoral songs nor nostalgic nostalgia, but a kind of anti-form and aesthetic existentialism.